Odile A Reflection In Odile I do not see a character, but a presence that compels me to take a position. I am not interested in illustrating a woman burning; I am interested in understanding what it means to burn today and remain standing. The name Odile already contains a shadow. I do not need…

Odile Between Fire and Memory In Odile, the body is subjected to a process that alters its surface and destabilizes its integrity. Marked by fire and erosion, it ceases to function as a neutral support and becomes a field of tension. The burnt surface does not conceal the figure; it reveals it differently — as…

Out of Bounds ℗2026 – Mixed media installation A frame is never neutral. It defines jurisdiction. Out of Bounds questions that jurisdiction. The body does not rupture the boundary; it renders it insufficient. This gesture is not an escape; it is a redefinition of space. To exceed a limit is not aggression; it is recalibration.…

Ash Becoming Form Odile does not burn here. The fire has already passed. If Interval of Becoming unfolded as suspension, this series inhabits what follows: the moment when transformation is no longer anticipated but assumed. In Ash Becoming Form, combustion is not spectacle but consequence. The female figure no longer stands at the threshold; she…

Interval of Becoming The white surface of the face introduces a condition of suspension. It is neither mask nor fixed identity, but threshold: a territory where form remains intact while the surrounding atmosphere announces its transformation. Fire does not invade the figure from outside; it emerges as an atmosphere that surrounds, touches, and ultimately passes…

First gesture The feminine sign inscribed in stone as prior memory. ℗2026 – petroglyph – approx. 75x110x40 mm. It does not represent a body: it affirms a presence. The stone was not conceived as representation but as a surface of emergence. Across its mineral skin, the line does not describe a body nor narrate a…