WORKS

This body of work does not begin from a fixed image or a form to be achieved. It unfolds through processes in which matter, gesture, and time act as active agents. Form does not precede the work; it appears as a temporary stabilization.

Metamorphism operates here as a personal theoretical framework through which artistic practice is understood as a system of continuous transformation. The work does not resolve an idea; it articulates forces in interaction. Between the casual and the causal there is no opposition, but tension. The unexpected is not external to structure, and intention never fully prevails. Control and contingency remain in constant negotiation, displacing the image rather than fixing it.

Matter ceases to be a support and becomes a site of action. Surface, pressure, combustion, or erosion operate as forces that alter states and generate new configurations. The work does not represent; it inscribes.

There is no final form, no closure — only a process in which the image remains open.