DRAWINGS

Drawing is not approached here as preparation or illustration. It is a space of attention, exploration, and invention.

Some drawings begin with observation, others with a fragment, a memory, a gesture, or a chance encounter. Certain images emerge quickly; others develop through accumulation, repetition, and unexpected associations. Together they form a landscape of images, connections, and recurring questions rather than a single, continuous narrative.

Across different periods, materials, and approaches, drawing remains a direct and flexible territory where images can appear without explanation and connections can exist without needing to be resolved. It welcomes both precision and uncertainty, structure and freedom.

Some of these works belong to larger groups, while others stand alone. What they share is a trust in the possibilities of the line — its ability to open paths, create connections, and lead the eye toward the unexpected.